Oct. 1st, 2018

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sparkvee:

this boy’s eyes are on a whole other level
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cassandrajp:

I like the way that eagles and osprey perch on high places so they can see it all. I think angels would do the same.
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expressions-of-nature:

by wanderingYew2

Yellowstone Wildflowers, Regeneration after a forest fire.
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glenn-rhee:

anyway the entire television industry needs an entire revamp to come up with a proper way to figure out the ratings of tv shows instead of relying solely on american nielsen family viewers and certain digital platforms and that’s the tea
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buttnekkidblackgirl:

witchomo:

eeveeyes:

bhansali:

“She’s a whore.”
Madhuri Dixit as Chandramukhi // Devdas (2002)

OMFG FUCKING THE MOST POWERFUL FUCKING THING I HAVE EVER READ
🙀🙀🙀🙀❤️❤️❤️❤️

fuck him UPPP

I looove this movie!
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thehistoryofviolence:

“Stalin/Hitler was waaaaaaaay worse than Hitler/Stalin! I mean, how can any serious historian compare the Holodomor/Holocaust to the Holocaust/Holodomor? What are you, a Nazi/Stalinist!?”

This comparison pops up virtually everywhere on the internet, and in real life, where people talk about history. And it’s useless.

Mass murders cannot be ranked in severity. The crimes of Hitler and Stalin will resonate through all time as a stark reminder of the ability of human beings to dehumanize one another. And whenever you turn the memory of these colossal tragedies into some kind of contest, you dehumanize the victims even further.
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springcottage:

mayapolarbear on ig
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schizoauthoress:

Today I learned that Van Halen have that rider in their contract about “a bowl of M&Ms with all the brown ones removed” in order to know at a glance if the promoter read the entire contract.  And the reason they do THAT is because they once had a stage collapse because a promoter hadn’t read the proper way to set up all the specific technical stuff.

So if the band goes in the dressing room or catering and sees brown M&Ms, they know they have to double-check the stage setup for safety.
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humansofnewyork:

“I had a lonely childhood.  I didn’t have many friends.  I spent a lot of time writing depressing poetry in my room.  But everything changed the first time I saw someone perform a spoken word poem.  It was at a fellowship meeting.  I never realized that poetry could impact an audience like that.  After the meeting, the girl invited me to join her poetry club.  There were seven members.  They met every Thursday under a guava tree in the school courtyard.  It was a place for me to just write, and to read what I’d written.  It was a place where I felt accepted and got critical feedback.  I got better at writing.  I grew more confident.  Eventually I performed in front of larger audiences, and my projects got more ambitious.  Now I’m working on a book.  It’s been my main focus for the last four years.  It’s about a little girl who’s misunderstood.  She’s an artist.  She wants to be recognized and understood.  But everyone around her thinks she’s a witch.  When I began writing the book, the character was based on myself.  But I’m so different than her now.  I’m not depressed anymore.  I’m closer to my family.  I don’t feel so isolated.  But I’m not sure she’s gotten there yet.   I’m struggling to not impose my growth onto her journey.  As a writer you’re supposed to detach yourself from your character.  But when you’ve included so many elements of yourself, and you’ve evolved so much, it’s really hard to do.”  
(Lagos, Nigeria)
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Oct. 1st, 2018 06:01 pm
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oooretha:

Today I really just want to bask in the glory of black queer love!
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Rachel

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