Apr. 26th, 2018

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dopeybeauty:

flapperwitch:

dopeybeauty:

enough about big moods,

what the small mood???

isn’t that just “lowkey”?

look buddy, I don’t know the marvels, lowkey or a hemsworth. i’m just Looking For Small Moods. Do not contact me again
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cinvonquinzel:

My Snow White Cosplay
March Patreon Cosplay Print!

Stealthing my @orchardcorset vinyl CS-411

https://www.patreon.com/CinVonQuinzel

Photographs by @insomniacsdreamproductions
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Unpleasant thoughts at 20: I want to die

Unpleasant thoughts at 24: Pooping is kind of fun
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securelyinsecure:

Words of inspiration from Missy Elliott
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fartgallery:

scientist: hey dad, I discovered a new spider today! and I named it after you

dad: thanks son! I really needed this today, the boys at work were making fun of my long legs again. what did you call it? :)

scientist: uh…
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Apr. 26th, 2018 01:31 pm
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noise-sama:

agoddamn:

I happened to glance down as I walked over this rug in the consignment store and my jaw dropped

Jug??? Jarpet???? Jat???
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carnival-phantasm:

cerastes:

I love how April 25th of 2018 proved to us that if you just let things happen and then just clean up an easy mess, you’d have zero problems to deal with.

Had Wikipedia not made a peep about Todd Howard’s page, people would’ve vandalized the page today, had a laugh, and then move on.

But Wikipedia did show signs of warning, and this ignited ambition, a sense of challenge within the people. And when people see a challenge, see, they find ways to overcome it, because that’s what humanity is all about: “I can’t do this this way, I’ll do it this other way, then”. Loopholes. Finding ways around. Doing what people told you not to do.

Result: Every single page related to Todd Howard, including different language editions of the Todd Howard page, is currently under siege.

A quick laugh is much like a tornado or an earthquake: A force of nature you cannot and should not fight against.

It’s what Todd would’ve wanted
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someoneintheshadow446:

the-jingler:

mcsiggy:

hungry-hobbits:

chillwerewolf:

small child: [absolutely incomprehensible gibberish]

me:

small child: [absolutely incomprehensible gibberish]

me:

small child: [absolutely incomprehensible gibberish]

me:

Small child: [absolutely incomprehensible gibberish]

Me:

Apparently this is actually good for kids’ brain development. It trains their speech receptors and they learn language faster. 
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transpeterman:

joekewlio:

mewstashio:

jontronandedge:

The floor is a functioning application

Tumblr:
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chadvenom:

chadvenom:

“A Tim Burton remake of—“
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Janelle Monáe says she identifies as pansexual:

brownbitchbisexual:

I MEAN I DON’T THINK ANY OF US ARE SURPRISED AT THIS POINT BUT!!!!!! 
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neocybex:

does someone ever say something to you and you can just feel the

figuratively pop up over your head 
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executeness:

glumshoe:

queenofthefae:

glumshoe:

Clarification: is there a set, standard amount of time, such as “one second”, that a “measure” of music lasts…? I understand that “4/4 time” means “four beats per measure”, but unless the length of time a “measure” lasts is consistent between songs, how does that make sense?

absolutely not; timing in music is not dependent on measure length, but instead based entirely on tempo. there ARE certain time signatures that are typically faster, such as 6/8, but there is no true standard and even 6/8 can be slower than 4/4, depending on the tempo. hope that helps!

who is responsible for this

Larghissimo — very, very slow (20 bpm and below) Translation*: plenty of time to get distracted between measures. Or notes.

Grave — slow and solemn (20–40 bpm) Translation: just serious enough for nervous laughter during rests. Avoid eye contact with anyone.

Lento — slowly (40–60 bpm) Translation: it is actually possible to fall asleep while playing an instrument, to the confusion and horror of your teacher.

Largo — broadly (40–60 bpm) Translation: dramatic grand gestures while sober. Think sweeping.

Larghetto — rather broadly (60–66 bpm) Translation: dramatic grand gestures while drunk. Slightly more manic or erratic

Adagio — slow and stately (literally, “at ease”) (66–76 bpm) Translation: Julie Andrews, Queen of Genovia, is entering the room. Plenty of time to focus on hitting the right notes b/c u cannot fuck this up.

Adagietto — rather slow (70–80 bpm) Translation: the high school graduating class of 2018 is entering the room. 40% elated 70% bored. Mostly restrained by the staff, still want this over with.

Andante moderato — a bit slower than andante. Translation: a steady meander in the woods. Fast enough to be interesting, slow enough to savor.

Andante — at a walking pace (76–108 bpm) Translation: CPR speed! Do you have Stayin Alive or Another One Bites the Dust in your head? Either way good luck remembering your melody now.

Andantino – slightly faster than andante. Translation: Just saw someone you do NOT want to talk to but you don’t want to draw attention. Always feels slightly forced. That’s fine.

Moderato — moderately (108–120 bpm) Translation: Marching is the tenuous balance between comfortable speed for walking and comfortable speed for music. Much easier when not in a parade.

Allegretto — moderately fast (but less so than allegro). Translation: the piece is probably in moderato but you’re having fun! You totally got this! Everything’s a bit fast but you’re still hitting all the notes! Go you!

Allegro moderato — moderately quick (112–124 bpm) Translation: Approximately dancing speed, depending on your confidence and the degree to which you know where all your limbs are at any given time. Jam a little in your seat. It’s okay.

Allegro — fast, quickly and bright (120–168 bpm). Playful, for flirting without words. Wink as needed without losing your place.

Vivace — lively and fast (≈140 bpm) (quicker than allegro) Translation: That was probably too much coffee but it’s FINE. It’s probably not physically possible for your heart to beat out of your chest.

Vivacissimo — very fast and lively. Translation: Either you’re showing off or the composer wanted you to suffer. Probably the former.

Allegrissimo — very fast. Translation: You’re not one of those aerobic respirators are you? You can breathe when we finish this piece. Hold on for the ride.

Presto — very fast (168–200 bpm) Translation: use popcorn popping as your metronome. Doesn’t actually have a regular beat but at this speed neither do you.

Prestissimo — extremely fast (more than 200bpm) Translation: you don’t know what’s happening and neither does your conductor if you have one. Reeds are splitting, strings are snapping, wind instruments can’t feel their tongues. Flail your fingers and prey.*.

(http://www.classicalmusiccity.com/search/article.php?vars=446/Basic-Tempo-Markings.html)

*I haven’t touched my flute in four years

**Yes I meant prey I’m a godless carnivore
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cheeso:

Apr. 26th, 2018 09:01 pm
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cheeso:
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Apr. 26th, 2018 10:35 pm
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Rachel

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